I'm Still Here!

Well, I let another three months go by without a word.  I need a few more hours in the day.

Still turning wood in all the spare time I can find.  I've been concentrating on segmented pieces - but rather than the strict, measured pieces I've been seeing, I like curves and free-form designs.  Even my pieces that appear to be square are deliberately cut at slight to radical angles and of different sizes.  Guess I've finally embraced my inability to draw a straight line.

I've made a couple of special pieces for special people.  The first was for a classmate from way back in the dark ages who asked me to make him something surprising.  I put together a questionnaire to gather information about his background and interests that gave me ideas about what woods and metals to use.  Included some woods from (or native to) his ancestral countries, some wood a friend brought me from our old high school, and put together something that surprised me, too!

It's so different from all the pens I've seen, I was a little scared about sending it off.  I took it along with a few other pens to my first meeting with the Inland Woodturners group (more on that later) and a couple of pen turners there gave it high praise - so I put it in the mail and crossed my fingers.

Turned out Wade loved the pen.  Phew!  I think that may be the last time I make something by request.  It's just too stressful.  Much more fun to make pens that interest me and if someone likes, them, all the better.

Next I made a special pen for my cousin Billy, who was doing a reading and signing event for his latest book, Remembering Gordon Street.  I love this book because he included little bits and pieces about my parents and quite a bit about my grandparents.  Much of it is set in the family home where I now live, the Grove House.  Coincidentally, the last of the original orange trees that he talks about has been slowly dying and we removed some of the branches a couple of months ago.  Of course, I added it to my wood stash, so when I decided to make his pen, it seemed only natural to include some of this wood.

 

 This gave me a chance to use my new stabilizing chamber.  I ordered this several months ago from Turntex Woodworks, but his products are so popular he has had a backlog of orders.  It was definitely worth waiting for - very well constructed and worked perfectly on the very first try.

Mad scientist time!  The bubbles you see here are the air being sucked out of the wood.  When I release the vacuum, the liquid resin in the chamber will get sucked into the wood.  I'll cure it in a toaster oven (never to be used for food after this) for a few hours and have some really stable wood to turn.

Billy's pen on the lathe.  The cream-colored piece is the orange wood.

Two sides of the same pen:  the brown is walnut, the red is bloodwood.  The bottom half of the pen is the orange wood.

 I also finished a pen I've been working on for several weeks and this is my favorite piece yet.  I started with four different pieces of wood, glued together into one block.  Then I cut the block into thin slices, rotated each slice an eighth of a turn beyond the previous slice, and glued them all back together.  Drilled a hole in the center, inserted a brass tube and turned it.

And here's the result.  I absolutely love this pen!

In the meantime, I took a bandsaw class at the Woodcraft store in Fountain Valley.  Learned how to change the blade on my bandsaw, maintain, and troubleshoot it.  Learned for sure what I already pretty much knew - the little bandsaw I already have doesn't have the oomph to make a controlled cut - especially a straight one.  So I think there's a big bandsaw somewhere in my future.

We cut and glued pieces for two small cutting boards.  Funny thing was there were three men in the class with me.  I let all three of them go first - each one swaggered up to the saw then slunk away when they couldn't cut on the lines.  Got a little bit of the "let's see what the little lady can do" treatment when it was my turn.  Turns out that cutting on a properly adjusted saw is just like guiding fabric through a sewing machine.  So I pretty much zipped through my turn.  Pretty funny seeing the smirks turn to disbelief.

These are the pieces I made...  we didn't have time to finish during the class, so we were sent home with instructions to stack and re-cut these crosswise, swap the pieces, and reglue to create two finished pieces with a wavy checkerboard pattern.  Doesn't really appeal to me, so I may cut them into pen or spindle blanks.

One of the best parts of the class was using the drum sander.  To get good joins in segmenting, your surfaces have to fit well - and this tool is recommended as essential for doing flat segments.  While surfing Craigslist a few days later for that big bandsaw, I spotted a drum sander at a ridiculously low price.  24 hours and a quick drive to Yucaipa later, I became the proud owner of a really nice Grizzly baby drum sander, along with a supply of sandpaper and an extra motor (drive shafts on these are designed to snap when they get jammed.

As I mentioned earlier, I went to my first meeting of the Inland Woodturners.  That month's demo was on turning natural-edged bowls.  Although I haven't been interested in bowls, I may have to re-think this.  There were quite a few show-and-tell pieces, including some marvelous segmented pieces.  I took along a portfolio of my pens and a friend told me I should put them in the show and tell.  He neglected to tell me I would have to go up front to talk about my work.  Yuck.  But I got a lot of compliments and some great advice. 

My second meeting featured a demo on inlaid pens. This is a technique I've tried without much success but I learned enough from this demo that I'm ready to try again.  If I can find the patience to place the inlay materials one tiny piece at a time.

I have more to tell about but this is long enough for one post, so I'm going to close with photos of  some of my recent work and works in progress.

Cutting a pair of blanks on the scroll saw.  I'll swap half of each piece for a pair of two-color pens.

First cuts on future segmented pens.  These will be sandwiched with contrasting veneer to make single-color pens with curvy lines through them.

Glue-ups clamped and drying.  A girl can never have enough clamps!

A quartet of pens made of olive wood from Bethlehem.  One of my favorite woods.

Free-Form Segments

At long last, I think I've found my calling!

I have been happily turning wood since my last post a month ago.  A couple of weeks ago, I had a table in my friend Gail's booth at WEFF to sell my sock blanks.  I took some of my wood items almost as an afterthought.  And sold enough of them to make it worth having gone, but not enough to make me quit my day job.  It was pretty thrilling to have the things I have so enjoyed making be appreciated.

Took the  pen class at Rockler, learned some new techniques, and had a ball.  Same students and teacher that were in the first class and it's a very congenial group.  Came home with a handful of beautiful pens.


Rather than writing more about this last month, I will let photos tell the story.

Shawl Pins:

Black Locust

Osage Orange

Black Locust

Black Locust

Birch

Birch

Turning in a Slightly Different Direction

During a hiatus in my TriCommunity weaving classes, I was perusing my mental bucket list for something fun to do.  Because I don't already have enough stuff to keep myself busy.

Still resentful that back in my school days girls were channeled into home economics while boys got to take woodshop and metalshop (apparently I can hold a grudge an awfully long time), my thoughts turned to woodworking.  I have always wanted to learn to do woodwork, and lately I have been noticing spinning and weaving tools with lovely wooden handles.  Eureka!  Time to learn to use a lathe.

When you think about it, woodworking is not all that far from fiber arts.  A tree, after all, is composed of fiber.  The cellulose that makes up 40-50% of a tree's bulk can be used to make fabric such as rayon or viscose. So what if it takes gallons of chemicals and reducing that tree down to its cellular level to get there.  It's still a fiber. So using a lathe to turn wood would simply be an extension of my fascination with all types of fiber arts.  Right? 

Anyway, over the course of a few hours, that thought turned into one of my typical obsessions.  The internal dialogue goes, "I MUST learn to do <<enter name of craft>>.  I will just take one class, and get it out of my system.  I don't need to buy any equipment, tools, or materials.  Or books.  Or magazines."  Then I go off and start searching the web for classes, which leads me to forums on the craft, which lead to conversations about all the cool equipment needed, which lead to books, and before I know it, I've ordered a couple of books from Amazon.com and started a list of things I MUST have do learn the craft properly.

At least this time I actually made it through the first class before I was over at Harbor Freight looking at the lathes.

There are several places in Southern California that offer woodturning classes, and I was lucky enough to find Rockler Woodworking in Pasadena.  They were offering a 3-week class on woodturning beginning in just a couple of weeks... perfect to fill in a big chunk of the TriCommunity hiatus.  And the teacher was Pete Carta, whose name and photo popped up on so many websites that I recognized him immediately when I walked into the store.  He does some fabulous pieces, and turned out to be an excellent teacher.

The one thing I was a little shy about was entering a brand new arena all by myself.  So I sought among my family and friends for victims people to go with me.  Then one lovely evening, my sister Katie, friend Mary, and I marched into Rockler's and started our first class.

I LOVED it.  There were only four in the class (our fourth was a very nice college student named Michael), so we each got plenty of help from Pete. 


The first night we were introduced to the lathe, talked about safety, and started learning some basic techniques. First, we took a rough-cut chunk of liquid amber wood and used a roughing gouge to trim it down to a cylinder. This part was really easy and fun. 

Then we used a smaller spindle gouge to start learning to make beads and coves.  This was not so easy.  I think I was so excited to be playing with all the cool tools that I didn't take my time to make each cut thoughtfully.  I did get some shapes I really liked, but they did not much resemble the shapes we were supposed to be making.  And I had this unfortunate tendency to tilt the tool the wrong way and create fuzzy edges.

Here's Mary Concentrating on her Spindle-to-Be

Our first class was over before we knew it and each of us proudly took home our very first spindle.   Unfinished and slightly fuzzy, but still  an object that warms my heart.  I've had it sitting on my desk at work ever since and it just makes me happy to look at it and think of all the possibilities it holds.







Our second class was on turning bowls.  I wasn't all that interested in bowls at the start.  What I really wanted to do was learn to turn fiber arts tools.   My attitude changed completely when we got started.  I'm not going to describe the techniques in any detail because I'm sure to get things wrong.

We started with already roughly shaped blanks. I could kick myself for not having taken a "before" photo or more "between" shots for that matter.  We started with what was to be the top of the bowl attached to the headstock.  Then we shaped the outside of the bowl. 

Everyone's bowl had a different shape.  I was fixated on getting control of my tools, so I made a very straight line from top to bottom.  The others made their bowls more curved.  Truth be told, I think theirs are more pleasing to the eye than mine, but I was really happy to have actually been able to do what I set out to do. 






Here, you can see the guidelines we had for the bottom of the bowl.  The outside circle was used as a guide for the outside edge.  We used the inner circle as a guide to cut a channel for the chuck that held the bowl as we hollowed out the inside.

Here you can see the bowl with the bottom now mounted on a chuck that has jaws that fit in the channel we carved.  We're ready to hollow out the top of the bowl!

This is Pete demonstrating the technique on Katie's bowl.   He makes it look so easy!

 Here's Katie's bowl after she finished hollowing it to her taste.   After this step, we sanded the bowls with five increasingly fine grits of sandpaper.  Then we applied butcher block wax liberally and buffed it. 


















The final step was turning the bowl around and trimming out the base.  Here's Katie's bowl remounted and ready to be trimmed.  I love the curves she put in her bowl.















This is my bowl after sanding and waxing -- ready to be remounted and have the bottom finished. 

 Here is my finished bowl from three different angles.  I was thrilled that the shape turned out exactly as I had envisioned it, and at how the grain and color really popped after polishing.

And these are the four finished bowls.  Michael's on the left -- he was the bravest and made his bowl very thin.  Mine next then Katie's, then Mary's.  I think they're all beautiful!  And now I want to make more bowls...

Our third class was on pens.  Once again I went in thinking I would like learning more techniques but I was not all that interested in pens.  Wrong!  I think this was my favorite of the three sessions. 

Before we started on the actual pens, we practiced by using the rough gouge to trim a piece of wood down to a cylinder, then we used the spindle gouge to shape it.   Before we started, the piece was square and looked like the dark bits on the ends.


I had fun practicing tapering and shaping with the spindle gouge.  It seemed much easier this time and I didn't end up with all the fuzzy edges I made the first week. 

What surprised me was that we used the same large gouges we used the first two weeks.  I had assumed that on a more delicate piece we would need smaller tools.  Wrong!

Pete had pen blanks already pre-drilled with tubes inserted and we got to choose from several different woods.  Mary and Michael chose bloodwood, Katie chose tulipwood, and I chose walnut.  It turns out that bloodwood is also known as logwood, a common natural dyeing material.  I happened to have a ziplock bag in my purse (girl scout training, dontcha know) and Mary went home with a nice bag of logwood sawdust for the next dying session.  See - I knew I could turn this into a fiber art topic.

Each blank was mounted on a #1 Morse taper mandrel (I think).  Here's mine in various states of completion:

Blank mounted and ready to turn

Cut to a cylinder

Ends tapered roughly to fit the bushings

Shaping completed

Polished and ready to assemble

 After shaping, we once again sanded with five increasingly fine grits of sandpaper.  This time we used a sealer on the wood, then polished.  Then it was time to assemble the pens.  Pete showed us how to use a pen assembly press to insert the end cap, point, and "transmission" - the part that twists to extend or retract the refill tube.


And voila!

Katie's pen - tulipwood

My pen - walnut

Mary's pen - bloodwood

Some of Pete's pens - to show us some possibilities

During the course of the class, I managed to acquire a lathe and basic set of gouges.  I know people either love or hate Harbor Freight -- I happen to be on the love side because I haven't yet had a bad experience with their tools.  The only down side to the one I purchased, a five speed benchtop model, is that I failed to notice how the speed is controlled.  On this one, you have to remove a couple of lids from the body of the lathe and physically adjust the drive belt.  This is not going to be as easy or convenient as a variable speed drill with a simple dial on the front.  Darn it!  And the gouges are nowhere near sharp enough to cut wood cleanly, so I am also the proud owner of a bench grinder.  Already signed up for next month's class on sharpening the tools and there's another class on turning pens in my future.

All in all, I think the whole experience was a resounding success.  I loved just about every bit of what we did, and have all kinds of ideas for things to make bouncing around in my head.  And everyone came home with the same number of eyeballs and fingers as they started with. 

Now if I can just figure out how to stop thinking about the cnc router I saw at the Rockler store...